Everything about David Tudor totally explained
David Eugene Tudor (
January 20,
1926 –
August 13,
1996) was an
American pianist and
composer of
experimental music.
Tudor was born in
Philadelphia, Pennsylvania. He studied piano with
Stefan Wolpe and became known as one of the leading performers of avant garde piano music. He gave the first American performance of the
Piano Sonata No. 2 by
Pierre Boulez in 1950, and a European tour in 1954 greatly enhanced his reputation.
Karlheinz Stockhausen dedicated his
Klavierstück VI (1955) to Tudor. Tudor also gave early performances of works by
Morton Feldman and
La Monte Young.
The composer with which Tudor is particularly associated is
John Cage. He gave the premiere of Cage's
Music of Changes,
Concerto For Piano and Orchestra and the notorious
4' 33". Cage said that many of his pieces were written either specifically for Tudor to perform or with him in mind. The two worked closely together on many of Cage's pieces, both works for piano and electronic pieces.
After a stint teaching at
Darmstadt from 1956 to 1961, Tudor began to wind up his activities as a pianist to concentrate on composing. He wrote mostly electronic works, many commissioned by Merce Cunningham, and often with elaborate lighting and stage designs. One piece,
Reunion (1968), written jointly with
Lowell Cross features a
chess game, where each move triggers a lighting effect or projection. At the premiere, the game was played between John Cage and
Marcel Duchamp.
Upon Cage's death in
1992, Tudor took over as music director of the
Merce Cunningham Dance Company. Among many works created for the company, Tudor composed
Soundings: Ocean Diary (1994), the electronic component of
Ocean, which was conceived by John Cage and Merce Cunningham, with choreography by Merce Cunningham, orchestral music by
Andrew Culver, and design by Marsha Skinner.
Tudor died in
Tompkins Cove,
New York at the age of 70.
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